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The Business of Design online launches

Whether you are a graphic designer or a web designer, there's a new site you should know about called BoDo: Business of Design online. Brought to you by some of the same people responsible for Creative Latitude, this site is all about the business of design. I'm really looking forward to seeing where they take this.

Quantifying Design

UnBeige is linking to a great article from Fast Company about 'quantifying the rate of return on instituting inventive design". No Accounting For Design?

A design solution might be technically masterful and aesthetically pleasing, but if you can't quantitatively calculate its clout, you can't claim its success.

I'd love to hear more about their process. This is something I'll definitely be following up on.

Communicating with a Designer

Redesigning a Blog is about Communicating with the Designer

So it makes sense that these tips on how to redesign a blog are really about how to communicate with a designer. Because good communication is essential to having a good experience doing a redesign.

Penelope Trunk has written a very clever article about communicating with a designer. With a lot of projects clear communication is half the battle. Once communication starts to flow easily, the design process is significantly improved.

Blogger Survey

Results of a survey I took part in are now available. Here is a list of the other bloggers who participated.

Who am I to lecture anybody about graphic design?

Dude you of people shouldn't be lecturing anybody about design.

Inspired by this comment on yesterday's post, I thought I'd address, who I am, and why I feel qualified to talk about design. I'm a professional graphic designer with almost fourteen years of experience, and I've been doing web design to some extent for more than five years. I started my career at a small chain of sporting goods stores in Washington and Idaho. For four and a half years I worked under the very talented designer who ran their Advertising and Visual Merchandising department. It was the best education I could have gotten. The department of two produced weekly newspaper ads, radio spots, TV commercials, and in-store displays and merchandising. This included the design and construction of some display fixtures. I then worked for six months for a carpet company, designing high end custom carpet. An odd job, but very interesting. It involved the design of custom one-of-a-kind rugs, which were then hand-made from our designs. This was followed by more than six years with a national commercial real estate publisher. For most of that time I was responsible for the training of production editors and designers. When I left I held the position of art director, though the actual job title they used was different. The last complete year I was there my department of three (including myself) was responsible for handling just over 2,300 ads. This included minor edits of existing ads , pre-press processing of client supplied ads, and creation of new advertising. While I was there I initiated a major revision of the production workflow, including a change in the brand style templates and software used. For the last two and a half years, I've been working for a major university in SW Virginia doing both print and web design work. Other random facts:

  • I'm a member of NAPP.
  • I served on the Administrative Websites Task Force which assisted in the rebranding efforts and website redesign of my university.
  • I have worked on projects for professional athletes (active and retired), heads of nationally ranked companies, and one member of a royal family
  • During part of my career, my design services were regularly billed at $150-300 per hour.

So yes, I do believe that I am reasonably well qualified to speak on the subject of design. Your should keep in mind though, that this is not in any way a business website. As I say on my homepage "This site is my online sketch book. A place to try new ideas, collect resources for my work, and write about design." This site is not now, and never has been intended to promote me as a freelance designer. It's a place where I try out ideas before I place them into the higher traffic sites that I maintain. The PHP scripts for RSS for instance, that I tried out here not too long ago has since been used in several other places with very good effect. I make no promises that this site will be in perfect working order with a high quality theme at any given time. Sometimes it will, and other times, maybe not. My only real long term goal is to promote discussion about graphic and web design among designers, people who work with designers, and people who should be working with designers. If, in the end, all I do is make people think about design, I'll be happy with that.

The curse of knowledge

I was reading How to Change the World today, and came upon something unexpected. Insight into graphic design.

The Curse of Knowledge. Lots of research in economics and psychology shows that when we know something, it becomes hard for us to imagine not knowing it. As a result, we become lousy communicators. Think of a lawyer who can't give you a straight, comprehensible answer to a legal question. His vast knowledge and experience renders him unable to fathom how little you know.

"The Curse of Knowledge." You might not see how this applies to graphic design, but it does. As I said in my last post:

Does your design still say what you think it does? Most of the time it will, sometimes it won't. It's easy to let your preconceived ideas about a design cloud your judgment, and influence your design.

Clients may be particularly bad at this, but never doubt that designers can do this to themselves too. It' can be easy to see a project as a whole, but you must be very careful to set that knowledge aside when proofing each individual piece. You know the address of the event, but did you clearly state the address in your design? Make sure that your design says exactly what you think it does. Don't rely on a good memory, prior knowledge or other proof-readers. Set aside what you know, set aside what you think is there, and proof what you see. Don't let the "curse of knowledge" ruin your design.

Of Communication and Design

Good graphic design isn't complicated. Even fairly complex designs are, at their base, simple communication. While web design can be more technically challenging, it's also just a form of communication. An aspect of design that's often overlooked is this communication. You use the best paper, you've checked the latest color trends, your layout is perfect... does it communicate clearly? I'm passionate about design, but the wrong design can be worse than no design at all. When all is said in done, step back, look at your design again, and see it as if you've never seen it before. It's hard to do, but it needs to be done. Look at your design as if it was a story... is it good?, is it right?, is it complete? Does your design still say what you think it does? Most of the time it will, sometimes it won't. It's easy to let your preconceived ideas about a design cloud your judgment, and influence your design. To see the design based on your history with it, rather than what it currently is. To see how your perfect graphic matches a headline that the writer has since changed. To see a color choice based on a photo that's been replaced. Worst of all is to see something explained, by something you've removed. Never forget to step back and look at your design again... does it communicate clearly?

Photographic Plagiarism

The Online Photographer is linking to a Slate post called Can photographers be plagiarists? by David Segal. I'm not a legal scholar, but as an artist I think the answer would be yes. I think the standard for proof of this charge should be set very high, but at some point there is a line that shouldn't be crossed. Letting an artists work inspire you is one thing, but an outright copy is another. Take the Nanpu bridge photographs for instance. If Horst and Daniel Zielske had added something to the mix, I would never have considered given Peter Bialobrzeski's claim of plagiarism any credit at all. Looking at the photographs though, I don't see where they've added anything to the work of Peter Bialobrzeski. They appear to me to be very, very similar. Where is their artistic vision? Where is their modification that made the composition better? The change in lighting, or the change of angle that makes this their work? I don't see it. Again, I'm by no means a legal scholar, but I think Peter Bialobrzeski may have a case. In looking at both these photos, I see only his hard work.

PHP scripts for RSS

I've recently been playing with a free PHP Script. I'm incorporating a little of the dynamic content of the blog into the main page (since removed in an update) using a PHP script pulling in the RSS feed. It's a very user friendly set-up. The documentation leaves a little to be desired, and the sample template had to be completely redone for my use, but the actual script is quite impressive. If you're looking for this sort of thing, it's well worth your time. The superior quality of the script far outweighs the negatives of the documentation and template. To get the results I wanted, I changed the template file to PHP and removed all of the extraneous coding. Changing the template to PHP allowed me to remove a lot of the HTML in the template, making for cleaner ocde when it was pulled into the home page. Then all that was left was to add the proper CSS selectors and it was ready to go.

Passion for Design

Kathy Marks has a great post today called What's Love Got to Do with It?

And because it's the web - and alive and changing everyday - you can never stop studying it, but must always be ready to turn on a dime and take up anything new that comes along. To accomplish all that takes drive and the will to excel. It takes passion

Here's someone who really gets it. Design is about passion. If you aren't passionate about it, why bother? Surely not for the money, there are much easier ways to do that. I particularly like her comment on studying. Web design in particular is an ever changing field, if you stop learning, you'll quickly be outclassed. Show me a designer without passion for their work, I'll show you someone who needs a career change.